從這季開始就是選擇性看了

父權(quán)符號(hào)一大堆，跟女權(quán)面對(duì)的生活世界一樣是問題成堆。我直男觀眾不能叫看了這部電影，應(yīng)該叫圍觀了電影。劇中劇集中營(yíng)紀(jì)錄片極為寫實(shí)。

最后一集金句頻出，這強(qiáng)烈的共鳴感，證明我是中年人了嗎…… Contentment breeds quiet, which breeds complacency, which breeds unrest. Her marriage was a witness to all of her other failures, like a comorbidity to how she was just getting old. Her marriage is not perfect, but it's not like her being not married is ever gonna make her young again. Nothing could make her unmake the choices that she made. She just didn't know that when she was making the choices that they were gonna limit her other choices that she could make in the future. How can you live when you used to have unlimited choices and you don't have them anymore?

沒有看《被遺忘的祖先的陰影》時(shí)那種強(qiáng)烈的感受，比較喜歡詩人童年的段落，屋頂上無數(shù)書的書頁被風(fēng)吹動(dòng)真是無可言喻的神妙。色彩豐富、場(chǎng)景怪異神奇，詩人和神靈/宗教、愛情/情人糾纏不休， 影片將傳統(tǒng)生活儀式化，在不時(shí)出現(xiàn)的反復(fù)和靜觀中展現(xiàn)其神秘和美。不斷滲出的紅色真是寓意豐富呀。

影片融合了很多元素，狼孩破肚而出，同性之愛，又有些溫情的場(chǎng)面。