其實(shí)我覺得這部片子跟同性戀?zèng)]有什么關(guān)系,是部探討友情、親情、愛情的老套路片子。我們本質(zhì)上生活在不同的世界中,不管你是否承認(rèn),這最終會(huì)將我們無情地分隔開。for river, for ever.
梁贊影魂:61.234.203.223
案子還不錯(cuò) 包大人沒爾康那么雷人
肖三中:182.80.219.195
Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.
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